![]() Threads made to speculate about cryptic social media posts or website updates are also not allowed. Rumors without sources and threads with misleading titles are not allowed.No Rumors, Speculation or False Information Overused comments including, but not limited to "this ain't it, chief", "Russ takes an L", "did you hear sumn", "youweird", "quack", "Does it look like I got left off Bad & Boujee?", "delete this, nephew", "dings in the whip", "fire", "we really out there" & "hoovaq" and any derivitives thereof are not allowed. Lyric chains, which are responses to comments that continue the lyrics of a song posted in a previous comment, and similar comment chains are not allowed.Memes, photos and fan art are never allowed (see /r/hiphopcirclejerk/, /r/hiphopimages/ or /r/freshalbumart/.) Images must posted within the body of a text-only/self posts, not linked directly. Do not post images unless they contain newly-released album artwork, a track listing, tour dates, or other images containing relevant information that has not yet been posted.Live performances of songs from albums or collections on the Overposted/Favorites List may be posted when they are new, but they may not be reposted. Do not post songs from an album or collection on the Overposted/Favorites List. Do not post a song or a live performance of a song that has received more than 45 upvotes in the last 365 Days.No Reposts or Overposted/Favorites List Songs "Where is the line between biting and paying homage drawn?") If you are seeking the answer to a question about the name of a song, the source of a sample, the status of a project, the meaning of a line/song, the appeal of an artist, etc., ask in one of the recurring threads. The only exceptions are for appropriate threads (e.g. Do not post questions or requests outside of the Daily Discussion, Music Recommendations or Sunday General Discussion threads.Users who are found to regularly start/engage in flame wars or harass other users may be banned at moderator discretion. will be removed and may result in a permanent ban at the moderator's discretion. Additionally, comments deemed overtly racist, sexist, homophobic, transphobic, etc. Unwelcome content and prohibited behavior as defined by Reddit is never allowed.No Unwelcome Content or Prohibited Behavior Please read the Guidelines/FAQ before posting! Favorites/Do Not Post ListÄo not post songs from projects or collections listed on the Overposted/Favorites/Do Not Post List. The latest music, videos & news relating to your favorite hip-hop, R&B & future beats artists. For an artist whose stage moniker literally translates as "the highest certainty," Mos Def's newest release carries the unfortunate weight of indecisiveness.Welcome to /r/HipHopHeads! /r/Hiphopheads COVID-19 Donations Thread These, however, are the lone highlights of this otherwise disappointing release. Here, Mos tantalizes us with a glimpse of his past ebullience as he hums: "Lay back and relax your mind/ About to double the dosage in the half-time/ Master physical mastermind." Likewise, "The Panties" and "Modern Marvel" revel in the sleepy genius of "Umi Says" and deliver their respective messages of love and sadness with quiet, erupting impact. It's unfortunate that a phenom like "Sex, Love & Money"- with its fat Dick Tracy horns, whimpering jungle flute, and marching band percussion- is lost in the melee. "Life Is Real", for example, finds a terminal case of logorrhea infecting an uncharacteristically awful Mos verse: "My whole life is ill/ My whole life is real/ Mornings, noons, nights/ Birthdays, work days, holidays, funerals." What's more, Know's material fails to connect thematically or musically to the rest of the album, causing an unfortunate fit of dysrhythmia. On the record's rock-tinged tracks, Know's overpowering licks seem to render a stop payment on Mos' creativity. "War" regurgitates a similar tune, adding a fairly benign critique of its titular subject, depressingly offering the impression that Mos believes a loud message makes an acceptable substitute for a thoughtful one. Suffice to say, Mos' cry, "We show you how to really make a moshpit bounce" is unconvincing at best. Yet both "Freaky Black Greetings" and "Zimzallabim" borrow heavily from the Chocolate Starfish playbook. Granted, more African-American creative input in modern rock would be a wonderful thing- and Mos' attempt is laudable- but as he says, "I ain't try to fuck with Limp Bizkit," suggesting that rap and rock are two very different beasts whose collusion could be disastrous. Curiously, despite Mos' on-the-mark vocalizing about the neglected acknowledgment of the Afro-American influence on rock, he chose the arguably least "black" form to express himself.
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